Showing posts with label dancing. Show all posts
Showing posts with label dancing. Show all posts

Thursday, January 12, 2023

In Which I Discover a Treasure from Christian Culture



 I am surprised I spotted them.

And even then I hesitated, leaning forward to peer into the yellowed plastic before gingerly plucking them from amongst all the other knick-knacks on the dimly-lit thrift store shelf.

Carefully, carefully I pried open the sides of the brittle package.

Oh, my goodness! No yellowing here! 

The gorgeous dancing couple dressed in vibrantly-hued traditional European costumes delighted my eye and blessed my soul.


I marveled at the details. 

Her flower wreath and long blond braid. His cap with the multi-colored tassels on one side. The netting overlay on her skirt and the jaunty belt cinching his long vest.

I looked for the price tag: $10

Confident that I had already received $10 worth of value from the charming pair, I purchased it and hurried home.

I looked forward to removing them from the ugly packaging and examining them closer. It was only when I tried to free them that I realized the dancers' feet were permanently attached to the base. I turned it upside down and for the first time noticed that it had a label.

And it was in Polish.


I had no idea what it said. 

Nevertheless, a thrill of joy leapt through me as I thought how perfectly the couple would look displayed in my hutch with all my Polish pottery. I hurried over and found them a spot, center stage, my daily reminder that life is beautiful.







Monday, October 31, 2011

Emma and the Glass Slippers


The Time-consuming Ringlets
 As late as Saturday afternoon, Emma was still debating whether to attend the Houston District's Scottish Country Dance Ball.  She had missed two SCD ball classes and consequently didn't feel like she knew the dances well enough.  Also, she had been sick all week with a respiratory illness, and she was tired. 

So she took a nap.

When she awoke, she decided, "yes", she would go.  She only needed five minutes for makeup and an hour to fix her hair.  No problem.   That just made us an hour late for the ball.

As I drove madly away from the house, she produced one black glove and sadly announced that she couldn't find the other.  "What about your dance shoes?" I asked.

 Emma wore glass slippers so delicately wrought that they appear invisible. . .

but doesn't her hair look good!

Wednesday, October 20, 2010

Houston RSCDS 2010 Ball Video

I uploaded to YouTube one of the videos I took at the ball and added it to my post, Once More to the Ball

Monday, October 18, 2010

Once More to the Ball

Just outside the ballroom entrance, prior to Emma trading her pink pumps for pink ballet shoes.

Emma attended her second Royal Scottish Country Dance Society Ball on the evening of October 2.  Hosted by the Houston chapter, it was the culmination of several weeks worth of practicing the program dances, which included a variety of skill levels.

Here's a sample:






SCENES FROM THE GRAND MARCH
Emma's expression shows the excitement she feels upon entering the ball room during the Grand March.





DANCING
I'm not sure which dance this is, but the first one on the program was "Haste to the Wedding", and Emma looks like she is doing just that in her white dress.

Emma's switch to ballet shoes instead of Ghillies proved a good one.  She did not fall one time.  I still laugh about what she told me last year when I said something about her falling at the ball: "I did not fall.  I collapsed gracefully to the ground."


Lots of kilt action here.

FRIENDSHIP






Emma with her teacher from last year, Moon Weiss



AFTER THE BALL PARTY

Thursday, June 17, 2010

Mairi's Wedding: A Great Song and Dance



The Houston District of the Royal Scottish Country Dance Society will host a summer social on Saturday evening featuring dances honoring the ladies. Emma and I are really excited that "Mairi's Wedding" is on the list. The music is traditional, but the lyrics were written in Gaelic in the 1930s by Johnny Bannerman for Mary McNiven. It was translated into English in 1936. In 1959, James B. Cosh created a Scottish country dance for the song utilizing a four-couple set. (See the Rankin family perform the song here. Unfortunately embedding of this video is restricted.)

I love the tune, but I am especially enamored of Mairi's wedding toast. I can't sing "plenty bonny bairns as weel" without smiling:

Plenty herring plenty meal
Plenty peat tae fill her creel
Plenty bonny bairns as weel
That's the toast for Mairi


Here's the list of dances honoring the ladies:

LADY CATHERINE BRUCE'S REEL

MARION’S MEDLEY

THE LAIRD OF MILTON'S DAUGHTER

MRS MACLEOD

LADY GLASGOW

MRS STEWART'S JIG

LADY HOME'S JIG

LADY AUCKLAND'S REEL

JESSIE'S HORNPIPE

THE AUSTRALIAN LADIES

MISS GIBSON'S STRATHSPEY

MAIRI'S WEDDING

MISS JOHNSTONE OF ARDROSSAN

Tuesday, May 4, 2010

Carding of the Wool



This is the video I took at the Houston District Royal Scottish Country Dance Society's Spring Fling last month. The dance is called "Carding of the Wool". Emma's partner is Nathan Harris.

Something about Scottish Country Dancing causes Emma to fall down. I think maybe she is up on her toes more than she is supposed to be. She falls often enough that Thomas Ladner told me, "We call it Emma Haught Syndrome." I saw her fall two or three times at the Spring Fling.

(Before watching, go to the bottom of the blog and pause the mixpod player.)

Thursday, March 18, 2010

Are You Going to Anderson Fair


to see the vanNorstrand brothers tonight?

I promised Emma I would take her. These young men from New York played the double contra dance for Houston Area Traditional Dance Society last weekend and really impressed her. She even forked over cash money for their A Certain Tree CD. This is a big deal for a girl who, until she bought her milk cow last December, still had checks from her 13th birthday. Here's a description of the CD from the van Norstrand's bio:

Nearing the end of high school, Andrew and Noah began working seriously on more concert-oriented material and developing a unique sibling vocal blend. The result was 2007's A Certain Tree (GBR CD004) which, although consisting of entirely original music, was something of a return to their old-time Appalachian, early country and bluegrass roots. Highlights from this project included their debut as budding singer-songwriters as well as a two-part, twelve-minute instrumental piece dedicated to the woes of poison ivy and arranged for mandolin quartet.

You can sample their music here. My favorite is "Let Them Go". We plan to purchase their new CD when it becomes available later this spring.

Tuesday, February 16, 2010

From Emmaline to Emma to Emma Jo: Recognizing Multiple Personalities


Emmaline: She's sugar, she's spice, she's everything nice. And she's Daddy's little girl.


Emma: She's a little bit feisty but still sweet. The after-effects of English Country Dancing Saturday night, waltzing Sunday afternoon, and polka dancing Sunday evening, probably brought about the rare transition to

Emma Jo: She laughs evilly, has a crazed look in her eyes and should be considered dangerous. If she invites you out to the hangar late at night, just say "no". Angela and Michelle said "yes", and look what happened to them.












Thanks to Angela and Michelle for the photos!

Tuesday, January 26, 2010

Ballet Folklorico de Mexico

Ballet Folklorico Publicity Photos
photo by Bob Shomler



Ballet Folklorico Publicity Photos
photo by Bob Shomler

A traditional costume from Jalisco, Mexico, that I spotted on the wall of a restaurant in North Carolina

Ballet Folklorico de Mexico's performance at Galveston's Grand 1894 Opera House Jan. 17th mimiced the weather that day--pure, bold, glorious sunshine.

We expected beautiful women in wonderfully flamboyant costumes, but the abundance of handsome men dancers daring to flaunt their masculinity was an unexpected delight that refreshed us with its simple reminder of God's design. In dance after dance these gorgeous men stomped and lassoed and captured the girl for a long kiss. It was fabulous!

Here's a link to a youtube video that features some of the highlights of a Ballet Folklorico performance. Go if you get the chance, and pay extra for a good seat!

Monday, January 25, 2010

A Chance to Dress Up and Dance: The 57th Annual Robert Burns Supper and Ball

Saturday night's Scottish shindig shepherded us into the world of bagpipes, haggis, and tatties and neeps.

After driving frantically to Emma's Scottish Country Dance practices across town, searching resale/thrift stores for the perfect gown, painting shoes, and spinning endless jewelry displays hunting earrings that would complement the dress, the big night finally arrived.

A stunning display of tartan flags, the poles arranged upright in a circle, greeted us as we entered the Marriott Westchase. The low, reedy hum of bagpipes called to us from down the hall, filling us with anticipation and preparing us for the lively music that would soon accompany the dancers as they performed for the Heather and Thistle Society.

Young ladies of Scottish Country Dance. Photo by Tiffany Clede

While Emma changed into her dance shoes, I peeked into the ballroom to see men in kilts and many of the women in simple gowns with tartan sashes worn over the shoulder, secured with a lovely "medallion" of the same fabric. Some added a pin to the center of the medallion, completing an interesting and elegant costume.

Wearing the plaid sash. Photo by Tiffany Clede

Meanwhile, the dance teacher, Mooneyeen Weiss, who prefers to be called "Moon", supervised a walk-through of the dances her students were to perform.

Moon gives last-minute instructions.

The dancers pose just before their first dance, a Straspey called "The Deeside Wanderer".

Emma and Dominic dancing the elegant Deeside Wanderer, which is done in a square formation.



Dancing the fast-paced Tomalina, which uses a figure with double-double triangles.Photo by Tiffany Clede

Our group danced well; each dance ended to fabulous applause. Now they were free to leave and return at 10 p.m. for the Ceilidh dancing.

So while the Robert Burns Supper ticket holders dined on the haggis, the national dish of Scotland--which according to About.com consists of cooked minced sheep’s offal mixed with suet, oatmeal, and seasoning all cunningly encased in the sheep’s stomach--we took the opportunity to sup at Phoenicia Specialty Foods. It is actually a grocery store with a fabulous deli and bakery. The store features groceries imported from around the world; the deli specializes in Mediterranean and Middle Eastern fare. (I made a mental note of their meat pies for future picnics.) Just the name of my meal tantalized me: Chicken Shawarma.

The dancers enjoy a silly moment as they return to their cars.


Back at the Marriott, the crowd had thinned out considerably. Some of us moms found an empty table in the ballroom where we could survey the Ceilidh dancing in comfort and sample some abandoned haggis and tatties (potatoes) and nips (turnips). However, when one mom said that her bite of haggis reminded her of dog food, I declined a sample.

Though the girls enjoyed the Ceilidh dancing, they suffered from a lack of male partners and often had to dance with each other. Two of our young men could not resist the temptation of a good game of chess, but there were men aplenty who could have given our eager-to-dance young ladies the pleasure but did not. Maybe their haggis had not settled well or their kilts were out of kilter.

The evening ended at midnight with a dance done to "Auld Lang Syne" but not before a waltz allowed Emma and Thomas to practice their Irish waltzing skills that they have been learning since last fall. They danced beautifully, and I heard that Moon was "astounded" when she saw them.

Emma and I made it home at 1:30 a.m., exhausted but ready to do it all over again if the opportunity arises.



AN EXPLANATION OF THE BURNS SUPPER TRADITION FROM THE HEATHER AND THISTLE SOCIETY:

Every year the Heather and Thistle Society have the Annual Burns Supper where several hundred people gather to celebrate the contribution Robert Burns made to the world.

Burns Suppers have been part of Scottish culture for about 200 years as a means of commemorating our best loved bard (a tribal poet-singer skilled in composing and reciting verses on heroes and their deeds). And when Burns immortalized haggis in verse he created a central link that is maintained to this day.

The ritual was started by close friends of Robert Burns a few years after his death in 1796 as a tribute to his memory. The basic format for the evening has remained unchanged since that time and begins when the chairman invites the company to receive the haggis.